19th

century

German

Das Mittagessen (Lunch)

Max Liebermann

Max Liebermann (1847-1935) Das Mittagessen (Lunch) Etching with drypoint, 1893, on wove paper, as published in Gazette des Beaux Arts , 1901 Plate: 12 x 14.2 cm Provenance: Phillips, London, 1976 Literature: Schiefler 5

Schorr Collection, UK / © The Schorr Collection / Bridgeman Images

Other Works

Attributed to the Master of the Aachen Madonna

Mohammed and the Monk Sergius

Lucas van Leyden

Triumph of David

Lucas van Leyden

Feuille de quatre portraits: Katherine Anne (North) Lady Glenbervie, Sylvester (Douglas) Lord Glenbervie, The Honorable Frederic Sylvester Douglas and Frederic (North) Earl of Guildford

After Jean Auguste Dominique Ingres

Los Proverbios (Proverbs). Additional Plate 1: Dos a uno, meten la paja en el culo (If two to one, stuff your Arse with straw). [Disparate Conocido] (Well-known Folly)

Francisco de Goya y Lucientes

Los Proverbios (Proverbs). Plate 5: Reniego al Amigo que Cubre con las Alas y Muerde con el Pico (Renounce the Friend who covers you with his Wings and bites you with his Beak)

Francisco de Goya y Lucientes

Los Proverbios (Proverbs). Plate 1: Pesa mas que un burro muerto (Heavier than a dead Donkey)

Francisco de Goya y Lucientes

Los Desastres de la Guerra (The Disasters of War). Plate 61: Si son de otro linage (Perhaps they are of another breed)

Francisco de Goya y Lucientes

Los Desastres de la Guerra (The Disasters of War). Plate 24: Aun podrán servir (They can still be of use)

Francisco de Goya y Lucientes (1746-1828)

Los Desastres de la Guerra (The Disasters of War)

Francisco de Goya y Lucientes (1746-1828)

Los Desastres de la Guerra (The Disasters of War)

Francisco de Goya y Lucientes (1746-1828)

Los Desastres de la Guerra (The Disasters of War)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 73: Mejor es holgar (It is better to be lazy)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 67: Aguarda que te unten (Wait till you've been anointed)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 51: Se repulen (They spruce themselves up)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 50: Los Chinchillas (The Chinchillas)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 46: (Correccion) Correction

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 26: Ya tienen asiento (They've already got a seat)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 24: Nohubo remedio (Nothing could be done about It)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 11: Muchachos al Avío (Lads Making Ready)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices) Plate 9: Tantalo (Tantalus)

Francisco de Goya y Lucientes (1746-1828)

Sir Anthony van Dyck (1599-1641), and an unknown engraver

Frans Francken, the Elder

Sir Anthony van Dyck (1599-1641), and an unknown engraver, after Sir Peter Paul Rubens

Death of the Virgin, from The Life of the Virgin

Albrecht Dürer (1471-1528)

The Adoration of the Magi, from The Life of the Virgin

Albrecht Dürer (1471-1528)

The Annunciation, from The Life of the Virgin

Albrecht Dürer (1471-1528)

Landscape with a Tower and two ruined Pillars

Antonio Canal, Il Canaletto (1697-1768)

La vie de l'enfant prodigue (The Life of the Prodigal Son)

Jacques Callot (1592-1635)

Illustrations of the Book of Job. Plate 18: And My Servant Job shall pray for you

William Blake (1757-1827)

Hans Baldung (Grien) (1484/5-1545)

Venus after the Bath

Albrecht Altdorfer (circa 1480-1538)

Cattle grazing by The River Derwent

Figure playing a Lute

Joseph Mallord William Turner R.A.

Study of the Head of an Old Man

Giovanni Battista Tiepolo

River view with town and castle, and cattle with barges

Georges Stubbes

River view with fortifications and sailing vessels

Georges Stubbes

Cavalry engaging Infantry

Francesco Simonini

Study of Youths with Mandolin, and Arm upheld – design for a compartment

Bartolomeo Schedoni

Directions to Footman

Thomas Rowlandson

A Study for a Pastoral Figure Group, perhaps associated with ‘The Lovers’

George Richmond R.A.

A Sleeping Woman at a Window

Rembrandt Harmensz, van Rijn

Etudes d’homme (recto) Scene de Rue (verso)

Camille Pissarro

Giovanni Paolo Panini

Profile Head of a Woman

Attributed to Jacopo Negretti, Palma il Giovane

Study for St. Charles Borromeo

Study of a Standing Woman

Groups of Heads of Men

Study of the Head of a Girl, 1908

Filippo di (Tommaso) Lippi / circle of Filippo Lippi

La Fille Bouchard

Louis-Auguste Lepère

Study of the Head of a Man, 1916

The Artist’s Mother

Charles Samuel Keene

Le Promenade à Honfleur

Johan Barthold Jongkind

Panorama of Constantinople

Niccolo Guidalotto da Mondavio

Study of Munro of Novar

Sir Francis Grant P.R.A.

Frederick Goodall R.A.

Frederick Goodall R.A.

The Sacrifice of Noah

Children Collecting Faggots

Thomas Gainsborough R.A., F.R.S.A.

Landscape; Woodland Pool with Figure and Donkeys

Thomas Gainsborough R.A., F.R.S.A.

Two Views of Newsells Park

Hendrick Frans de Cort

Two Views of Newsells Park

Hendrick Frans de Cort

A Horse in River Landscape

Claude Gellee, called ‘Claude Lorrain’

Sir William Richard Powlett Geary, 3rd Bt. (1810-1877)

Alfred Edward Chalon R.A.

Figures under Umbrellas

Eugène-Louis Boudin

Study of a Bearded Man

François Boucher

Picardie Coast Scene With Windmill and Buildings

Richard Parkes Bonington

Seated Woman with a Book (Design for a poster advertising children’s books)

Aubrey Beardsley

Standing Woman with a tree and a library in the Background (Design for a poster advertising “The Pseudonym and Autonym”)

Aubrey Beardsley

The Battle of the Milvian Bridge

Giovanni Balducci, called Cosci