18th

century

Italian

Study of the Head of an Old Man

Giovanni Battista Tiepolo

Giovanni Battista Tiepolo (1696-1770) Study of the Head of an Old Man Black and white chalk on blue paper With inscription in pen and brown ink: 475. 33.5 x 22 cm Provenance: Acquired from Somerville and Simpson Ltd, London. The Schorr Collection Catalogue Volume 1, page 272.

Schorr Collection, UK / © The Schorr Collection / Bridgeman Images

Other Works

Attributed to the Master of the Aachen Madonna

Mohammed and the Monk Sergius

Lucas van Leyden

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Feuille de quatre portraits: Katherine Anne (North) Lady Glenbervie, Sylvester (Douglas) Lord Glenbervie, The Honorable Frederic Sylvester Douglas and Frederic (North) Earl of Guildford

After Jean Auguste Dominique Ingres

Los Proverbios (Proverbs). Additional Plate 1: Dos a uno, meten la paja en el culo (If two to one, stuff your Arse with straw). [Disparate Conocido] (Well-known Folly)

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Los Proverbios (Proverbs). Plate 5: Reniego al Amigo que Cubre con las Alas y Muerde con el Pico (Renounce the Friend who covers you with his Wings and bites you with his Beak)

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Los Proverbios (Proverbs). Plate 1: Pesa mas que un burro muerto (Heavier than a dead Donkey)

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Los Desastres de la Guerra (The Disasters of War). Plate 61: Si son de otro linage (Perhaps they are of another breed)

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Los Desastres de la Guerra (The Disasters of War). Plate 24: Aun podrán servir (They can still be of use)

Francisco de Goya y Lucientes (1746-1828)

Los Desastres de la Guerra (The Disasters of War)

Francisco de Goya y Lucientes (1746-1828)

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Francisco de Goya y Lucientes (1746-1828)

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Los Caprichos (The Caprices). Plate 73: Mejor es holgar (It is better to be lazy)

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Los Caprichos (The Caprices). Plate 67: Aguarda que te unten (Wait till you've been anointed)

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Los Caprichos (The Caprices). Plate 51: Se repulen (They spruce themselves up)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 50: Los Chinchillas (The Chinchillas)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 46: (Correccion) Correction

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Los Caprichos (The Caprices). Plate 26: Ya tienen asiento (They've already got a seat)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 24: Nohubo remedio (Nothing could be done about It)

Francisco de Goya y Lucientes (1746-1828)

Los Caprichos (The Caprices). Plate 11: Muchachos al Avío (Lads Making Ready)

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Los Caprichos (The Caprices) Plate 9: Tantalo (Tantalus)

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Sir Anthony van Dyck (1599-1641), and an unknown engraver

Frans Francken, the Elder

Sir Anthony van Dyck (1599-1641), and an unknown engraver, after Sir Peter Paul Rubens

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Albrecht Dürer (1471-1528)

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Albrecht Dürer (1471-1528)

The Annunciation, from The Life of the Virgin

Albrecht Dürer (1471-1528)

Landscape with a Tower and two ruined Pillars

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Hans Baldung (Grien) (1484/5-1545)

Venus after the Bath

Albrecht Altdorfer (circa 1480-1538)

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Figure playing a Lute

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Study of the Head of an Old Man

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Attributed to Jacopo Negretti, Palma il Giovane

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Groups of Heads of Men

Study of the Head of a Girl, 1908

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La Fille Bouchard

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Le Promenade à Honfleur

Johan Barthold Jongkind

Panorama of Constantinople

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Study of Munro of Novar

Sir Francis Grant P.R.A.

Frederick Goodall R.A.

Frederick Goodall R.A.

The Sacrifice of Noah

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Landscape; Woodland Pool with Figure and Donkeys

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Hendrick Frans de Cort

Two Views of Newsells Park

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A Horse in River Landscape

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Sir William Richard Powlett Geary, 3rd Bt. (1810-1877)

Alfred Edward Chalon R.A.

Figures under Umbrellas

Eugène-Louis Boudin

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The Battle of the Milvian Bridge

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