Madonna (Liebendes Weib) (Woman making Love)

Das Weib II (The Woman II or Sphinx or The Woman in Three stages)

Der Tod und das Weib, Das Mädchen und der Tod (Death and the Woman)

Zwei Zigeunerkinder vor der Hütte (Two Gypsy Children at the front of a Hut)

Il ponte sul Savena a Bologna (Bridge over the Savena at Bologna)

Thirteen standing Figures

Two reclining Figures with River Background

L’aigle et la femme la nuit (The Eagle and the Woman at Night)

Le depart pour le travail (Going to Work)

Les becheurs (The Diggers)

La veillée (The Vigil - Two Women Sewing by Lamplight)

La baratteuse (Woman churning)

Nu couché (Reclining Nude)

Port de Collioure

Homme à la barbe (Portrait de Bourgeat ressemblant à Vassaux) (Man with a Beard) (Portrait of Bourgeat looking like Vassaux)

Viareggio (or La Dépêche de Toulouse)

Polichinelle (Punch)

Polichinelle (Punch)

Polichinelle (Punch)

Das Mittagessen (Lunch)

Christus II (klein) (Christ Crowned with Thorns - small)

Der Polster (Martha Kurzweil auf einem Divan sitzend) (The Cushion, Martha Kurzweil seated on a Divan)

Maria und Elizabeth (Mary and Elizabeth)

Arbeiterfrau mit schlafendem Jungen (Worker Woman with Sleeping Child)

Hunger

Gedenkblatt fur Karl Liebknecht (In Memoriam Karl Liebknecht)

Selbstbildnis mit der Hand an der Stirn (Self-Portrait, with Hand on Forehead)

Ende, Plate 6 from Ein Weberaufstand (The End, Plate 6 from Weavers’ Revolt)

Vier Männer in der Kneipe (Four Men in a Tavern)

Strassenbild Dresden (Salzgasse) (Street Scene Dresden)

Nude Seated on Ground

Sortie du port de Honfleur (Exit from the port of Honfleur)

Girl with a Black Hat

Tete de jeune fille (Portrait of a Seated Girl)

Mädchen am Meer (Girl beside the Sea)

Liegende (Liegendes Mädchen) (Reclining Girl)

Ballspielende (Playing Ball)

Cinq personnages (Five Characters)

Friedrichstrasse

L’homme à la pipe (Man with a pipe) – Portrait de Docteur Paul Gachet

Les deux tabourets (Two Stools)

Le chat (The Cat) , from André Breton, L’Air de l’eau

Objets mobiles et muets (Moving, Mute Objects)

Mahna no varua ino (The Devil Speaks) (recto) Oviri (Savage) (verso)

Comédie Français: Programme for Entre Mufles

La Madone et les enfants (Madonna and children)

Portrait of Madame de Bonnières

Spaziergänger (Promenaders)

Three Oriental Figures (Jacob and Laban?) 3

Traghetto No. 2, from ‘Venice, a Series of Twelve

Mendiantes: Two impressions 1.

Profil viril (Virile Profile)

Merde pour Vollard

Tête de femme (Head of a Woman)

Le forgeron (The Blacksmith)

La sortie de bain, petite planche (After the Bath, small plate)

Mary Cassat au Louvre: Musée des Antiques

Et ces demoiselles frétillaient gentiment devant la glace du foyer (Dancers coming from the dressing room onto the stage), Proposed illustration for La Famille Cardinale

Les marlous (Ruffians)

Danseuses dans la coulisse (Dancers in the Wings)

Les Chants de Maldoror: Le nez (The Songs of Maldoror, The Nose): Three etchings

Souvenir d’Italie (Souvenir of Italy)

Beim Frühstuck (At Breakfast)

Die Gattin (The Wife)

Les baigneurs (petite planche) (The Bathers, small plate)

Margot Resting Arms on the Back of Armchair

Ranunculus

Nature morte II (Still Life II)

Marine

Etude de nu (Nude Study)

Boulevard

Jeune dame au chien (affiche pour le Salon des Cents) (Young Woman with a Dog, Poster for the Salon des Cents)

La petite blanchiseuse (The little laundry Girl)

Beöthy (1897-1961) Abstract Female Form

Cafémusik (Café Musik)

Inverary Pier. Loch Fyne. Morning

Jan Lutma, original copper plate

The Beggar Man and Woman Conversing, original copper plate

Jews in the Synagogue, original copper plate

Three Oriental Figures, original copper plate

Three Heads of Women, One asleep

The sick Saskia, with white Headdress

Rembrandt’s Mother: Head only. Full Face

Studies of the Heads of Saskia and Others

Woman reading

Study of Saskia as St Catherine (The Little Jewish Bride)

The great Jewish Bride

Bald Man (Rembrandt’s Father ?) in Profile Right

Bald Man (Rembrandt’s Father ?) in Profile Right

The second oriental Head

Jan Lutma, Goldsmith

An old Man with a divided fur cap

Jews in the Synagogue

Three Oriental Figures (Jacob and Laban?) 3

Christ before Pilate: Large Plate

The blindness of Tobit

Cowherd driving three horned cattle before him; below, in the foreground, a recumbent steer and a standing steer, marsh and trees beyond

The Organ Grinder (The Hurdy Gurdy Man)

Ecce Homo

Pentecost, from The Life of Christ