Works
Link 1
Link 2
Link 3
Home
Old Masters
Works on Paper
About
Press
Contact
Search
Search
century
British
Groups of Heads of Men
L. S. Lowry
L. S. Lowry (1887-1976) Groups of Heads of Men Pencil, signed and dated, 1920 20 x 20.5 cm
Schorr Collection, UK / © The Schorr Collection / Bridgeman Images
Other Works
The Nativity
Attributed to the Master of the Aachen Madonna
Mohammed and the Monk Sergius
Lucas van Leyden
Triumph of David
Lucas van Leyden
Feuille de quatre portraits: Katherine Anne (North) Lady Glenbervie, Sylvester (Douglas) Lord Glenbervie, The Honorable Frederic Sylvester Douglas and Frederic (North) Earl of Guildford
After Jean Auguste Dominique Ingres
Los Proverbios (Proverbs). Additional Plate 1: Dos a uno, meten la paja en el culo (If two to one, stuff your Arse with straw). [Disparate Conocido] (Well-known Folly)
Francisco de Goya y Lucientes
Los Proverbios (Proverbs). Plate 5: Reniego al Amigo que Cubre con las Alas y Muerde con el Pico (Renounce the Friend who covers you with his Wings and bites you with his Beak)
Francisco de Goya y Lucientes
Los Proverbios (Proverbs). Plate 1: Pesa mas que un burro muerto (Heavier than a dead Donkey)
Francisco de Goya y Lucientes
Los Desastres de la Guerra (The Disasters of War). Plate 61: Si son de otro linage (Perhaps they are of another breed)
Francisco de Goya y Lucientes
Los Desastres de la Guerra (The Disasters of War). Plate 24: Aun podrán servir (They can still be of use)
Francisco de Goya y Lucientes (1746-1828)
Los Desastres de la Guerra (The Disasters of War)
Francisco de Goya y Lucientes (1746-1828)
Los Desastres de la Guerra (The Disasters of War)
Francisco de Goya y Lucientes (1746-1828)
Los Desastres de la Guerra (The Disasters of War)
Francisco de Goya y Lucientes (1746-1828)
Los Caprichos (The Caprices). Plate 73: Mejor es holgar (It is better to be lazy)
Francisco de Goya y Lucientes (1746-1828)
Los Caprichos (The Caprices). Plate 67: Aguarda que te unten (Wait till you've been anointed)
Francisco de Goya y Lucientes (1746-1828)
Los Caprichos (The Caprices). Plate 51: Se repulen (They spruce themselves up)
Francisco de Goya y Lucientes (1746-1828)
Los Caprichos (The Caprices). Plate 50: Los Chinchillas (The Chinchillas)
Francisco de Goya y Lucientes (1746-1828)
Los Caprichos (The Caprices). Plate 46: (Correccion) Correction
Francisco de Goya y Lucientes (1746-1828)
Los Caprichos (The Caprices). Plate 26: Ya tienen asiento (They've already got a seat)
Francisco de Goya y Lucientes (1746-1828)
Los Caprichos (The Caprices). Plate 24: Nohubo remedio (Nothing could be done about It)
Francisco de Goya y Lucientes (1746-1828)
Los Caprichos (The Caprices). Plate 11: Muchachos al Avío (Lads Making Ready)
Francisco de Goya y Lucientes (1746-1828)
Los Caprichos (The Caprices) Plate 9: Tantalo (Tantalus)
Francisco de Goya y Lucientes (1746-1828)
Adam van Noort
Sir Anthony van Dyck (1599-1641), and an unknown engraver
Frans Francken, the Elder
Sir Anthony van Dyck (1599-1641), and an unknown engraver, after Sir Peter Paul Rubens
Death of the Virgin, from The Life of the Virgin
Albrecht Dürer (1471-1528)
The Adoration of the Magi, from The Life of the Virgin
Albrecht Dürer (1471-1528)
The Annunciation, from The Life of the Virgin
Albrecht Dürer (1471-1528)
Landscape with a Tower and two ruined Pillars
Antonio Canal, Il Canaletto (1697-1768)
La vie de l'enfant prodigue (The Life of the Prodigal Son)
Jacques Callot (1592-1635)
Illustrations of the Book of Job. Plate 18: And My Servant Job shall pray for you
William Blake (1757-1827)
Hans Baldung (Grien) (1484/5-1545)
Venus after the Bath
Albrecht Altdorfer (circa 1480-1538)
Cattle grazing by The River Derwent
Peter de Wint
Figure playing a Lute
Paolo Veronese
The Dead Sea
Joseph Mallord William Turner R.A.
Study of the Head of an Old Man
Giovanni Battista Tiepolo
River view with town and castle, and cattle with barges
Georges Stubbes
River view with fortifications and sailing vessels
Georges Stubbes
Cavalry engaging Infantry
Francesco Simonini
Study of Youths with Mandolin, and Arm upheld – design for a compartment
Bartolomeo Schedoni
Directions to Footman
Thomas Rowlandson
A Study for a Pastoral Figure Group, perhaps associated with ‘The Lovers’
George Richmond R.A.
A Sleeping Woman at a Window
Rembrandt Harmensz, van Rijn
Etudes d’homme (recto) Scene de Rue (verso)
Camille Pissarro
Walking Man
Giovanni Paolo Panini
Profile Head of a Woman
Attributed to Jacopo Negretti, Palma il Giovane
Study for St. Charles Borromeo
Carlo Maratta
Study of a Standing Woman
L. S. Lowry
Groups of Heads of Men
L. S. Lowry
Study of the Head of a Girl, 1908
L. S. Lowry
Drapery Study
Filippo di (Tommaso) Lippi / circle of Filippo Lippi
La Fille Bouchard
Louis-Auguste Lepère
Study of the Head of a Man, 1916
L. S. Lowry
The Artist’s Mother
Charles Samuel Keene
Le Promenade à Honfleur
Johan Barthold Jongkind
Panorama of Constantinople
Niccolo Guidalotto da Mondavio
Study of Munro of Novar
Sir Francis Grant P.R.A.
The Sluice
Frederick Goodall R.A.
The Balcony
Frederick Goodall R.A.
The Sacrifice of Noah
Luca Giordano
Children Collecting Faggots
Thomas Gainsborough R.A., F.R.S.A.
Landscape; Woodland Pool with Figure and Donkeys
Thomas Gainsborough R.A., F.R.S.A.
Two Views of Newsells Park
Hendrick Frans de Cort
Two Views of Newsells Park
Hendrick Frans de Cort
A Horse in River Landscape
Claude Gellee, called ‘Claude Lorrain’
Sir William Richard Powlett Geary, 3rd Bt. (1810-1877)
Alfred Edward Chalon R.A.
Figures under Umbrellas
Eugène-Louis Boudin
Study of a Bearded Man
François Boucher
Picardie Coast Scene With Windmill and Buildings
Richard Parkes Bonington
Self Portrait
David Bomberg
Seated Woman with a Book (Design for a poster advertising children’s books)
Aubrey Beardsley
Standing Woman with a tree and a library in the Background (Design for a poster advertising “The Pseudonym and Autonym”)
Aubrey Beardsley
The Battle of the Milvian Bridge
Giovanni Balducci, called Cosci
Previous